This prime example of mid eighties dancehall reggae showcases the signature production style of the legendary Channel One Studios where the track was recorded and mixed by the acclaimed engineer Soldgie. Released on the powerhouse Greensleeves Records label this twelve inch single represents a pivotal era in sound system culture featuring the essential synth work of Tony Asher which helped define the digital transition in Jamaican music.

The record comes housed in the classic maroon company disco sleeve of the period adorned with the iconic hand drawn illustrations of a dancehall crowd that have become synonymous with the visual identity of the London based imprint. Collectors of authentic rub a dub and early digital riddims will find immense value in this UK pressing as it captures the raw energy and creative synergy of producers Myrie Lewis and Errol Marshall during a highly influential year for the genre.